Pacman became a global phenomenon in the gaming industry following its launch in the early 80s. In addition to arcades, another major influence of the time was the emergence of video games, which resulted in a typography style with a futuristic and digital aesthetic in the design world. SaboĬreated by Swiss graphic designer Philippe Moesch, Sabo is an 8-bit pixel font ideal for T-shirts, posters, and any design with a retro arcade theme. This font is based on video game machines that were available in shopping centres, bars and arcades, known as arcade machines. They’re associated with gaming arcades where kids spent countless hours. Pixel-based lettering were very popular in the 1980s, when the digital era was just beginning.
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Look no further than the poster for the Netflix series ‘Stranger Things’. Nostalgia for the 80s is what has led contemporary graphic designers to continue to create fonts inspired by the aesthetics of the decade. This was also thanks, in part, to the emergence of personal computers and the first design software, which allowed for risk-taking and experimentation. And of course, typography was also influenced by this explosion of colour, extravagance and neon lights. It was a highly expressive time, especially when it came to music, art, fashion and design. With the passage of time, nostalgia came to define a collective sentiment for something more than a country – for the culture of another era.Īnd if there is one era that is currently being recalled with special fascination, it is without doubt the 1980s, characterised by shoulder pads and too much hairspray, but also rebelling against the norms and the desire to show one’s own individuality. In the late 17th century, Swiss doctor Johannes Hofer first used the term ‘nostalgia’ to describe the yearning for home that filled the soldiers of his country.
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